I’m all for freedom of speech and have no desire to legislate disgusting views like this off the radio, but more rational people need to pay attention to what hosts like Hunt/Savage/Levin are broadcasting in their community, and be willing to let local stations and their advertisers know when these hosts step over the line.
Update: BTW, Hunt’s brilliant argument—sexual behaviors that might create life are better than ones that don’t—would imply that incest, sex with young girls, and rape would all be preferable to gay sex, hetero sex using contraceptives, and masturbation. If you’ve ever enjoyed sex without intent to conceive, here’s to the Constitution for stopping big thinkers like Hunt from using the government against you.
“Nobody’s Home to Go Home To” was a 1969 B-side for Billie Davis that I have a weakness for. The bass playing is incredible and the song cleverly jumps between three keys, but the strings and backing vocals kind of take over the recording. I noticed this morning that they’re both panned hard right and the vocal is centered, so I got to work.
Dumped the right channel to make a mono track of the left, leaving all the essentials: drums, bass, piano, elec & acoustic guitars, a quiet organ, tambourine, and the vocal.
Made several surgical cuts to bass frequencies that took over the mix at points.
Mitigated some incidents of “breathing” and “pumping” in the breaks. This is where a compressor had turned up the gain while the band’s last note of a section was fading out. This can be done to great effect (after the snare hit at 0:21 in Elvis Costello’s “Busy Bodies”), but on this track it just sounded like a someone with coffee jitters was leaning on a fader, and it made the snare hits that preceded the following sections unnaturally loud.
Raised some high frequencies to bring some sparkle to the vocal
Added a tiny bit of stereo echo to widen the sound
In the result, you get a more interesting intro (IMO) and a tighter rhythm section, and you can actually hear the piano, the backbeat snaps of the electric guitar, what sounds like a low temple block on the snare hits, and Billie’s quiet falsettos at the end of the choruses.
Ultimately what Haiti most needs isn’t so much aid, but trade. Aid accounts for half of Haiti’s economy, and remittances for another quarter — and that’s a path to nowhere.
The United States has approved trade preferences that have already created 6,000 jobs in the garment sector in Haiti, and several big South Korean companies are now planning to open their own factories, creating perhaps another 130,000 jobs.
“Sweatshops,” Americans may be thinking. “Jobs,” Haitians are thinking, and nothing would be more transformative for the country.
Let’s send in doctors to save people from cholera. Let’s send in aid workers to build sustainable sanitation and water systems to help people help themselves. Let’s help educate Haitian children and improve the port so that it can become an exporter. But, above all, let’s send in business investors to create jobs.
Otherwise, there will always be more needs, more crises, more tragedies, more victims. Back in the cholera treatment center here in Mirebalais, health workers were still disinfecting the bed on which Mr. Merilus had died when, in the tent next door for milder cases, a middle-aged woman suddenly collapsed.
Nurses splashed water on her face but could not revive her. So they rushed her to the main cholera hospital tent to take the newly vacant bed there.
And that is the brutal cycle of poverty in Haiti that only jobs and trade can break.