Sleep Walk analysis

Sleep Walk” is pretty famous for its I – vi – iv – V verses, but there’s more interesting stuff going on, especially for 1959 top 40 radio.

  • The end of the bridge is a G7#9 (AKA the “Purple Haze” chord). The slide emphasizes this by sliding [D, G] up to [F, Bb] and back, and you can really hear the [B, F, Bb] in the rhythm guitar. I can’t think of any other top 40 song that used it so prominently; even “Purple Haze” mostly omits the major 3rd so it’s not as dissonant.
  • The ending is a G chord with the slide using a falling sixth interval: [G, E] – [Gb, Eb] – [F, D]. This is a common blues trick that turns a 6th chord (6 on top) into a 7th (7 on bottom).
  • The final cadence is pure jazz:
    • C6 [8-x-7-9-8-x]
    • G7b9+ [x-8-9-8-9-x] (root played only by bass)
    • C6add9 [x-10-10-9-10-10]

Analyze my dreams

Kristen Schall plays an adorable tourist in a film shot in soft-focus Europe in the early 1900s. In a stunning/terrifying scene she rides a rickety ski lift contraption hundreds of feet up a mountain, with the steep path twisting and turning to follow a busy street that wraps up the mountainside.

Later: I’m in an abandoned storage unit and find an amazing 80’s drum machine made by a kitchen appliance manufacturer. It’s all black and grey plastic, has tons of knobs, most of the labels are worn off, and I need to get my hands on batteries and a cassette 4-track ASAP.

Guitar tunings: Am9 and D6add9

I like to make small alterations to standard tuning that allow smaller intervals in the lower register.

Am9 (detune the D to C)

Some chords (note the 3rd intervals between the A and C strings):

Cm7 x-3-3-3-4-3
C x-3-4-5-5-x
Cm9 x-3-3-3-3-3
D6/9 x-5-6-7-0-0
A 5-4-4-6-x-x (or just 5-x-4-6-x-x)
A7 5-7-7-6-5-5 (standard E bar shape!)
Emaj9 0-9-8-8-0-0 (nice 2nd interval between the F# and G#)

D6add9 (detune the G to F#)

This gives you an open major 3rd interval and an easy D6add9 in the upper 5 strings. Some chords:

D6 x-0-0-0-0-2
G6add9 3-x-0-3-0-0
Aadd9 x-0-9-7-10-0
A6add9 5-4-4-0-0-0
A/C# 9-7-7-7-10-x
A13 x-0-5-5-7-0
Em x-7-5-5-5-x
Eadd9 x-7-6-5-7-x
D x-0-0-0-3-5  OR x-0-0-0-7-x
Gmaj9 x-5-5-5-7-5

Chords: “Taramasalata” by Eggstone

V)
    Em   G#+/B#  C#m    G#m      F#m   A     F    Dm
    2      2     2      2        2     2     2    2

    F#m    B     C#m    A  G#m   C#m   A  B
    2      2     2      1  1     2     1  1

    Em   G#+/B#  C#m    G#m      F#m   A     F    Dm
    2      2     2      2        2     2     2    2

    F#m    B     Dm     C#m      G#m   A  B
    2      2     2      2        2     1  1

    Em   G#+/B#  C#m    G#m      F#m   A     F    Dm    A
    2      2     2      2        2     2     2    2     8

C)  
    E      B/D#   G#m   F#m   G#m   F#m   C    D
    2      2      2     2     2     2     2    2

    E      B/D#   G#m   F#m   G#m   F#m   C    D
    2      2      2     2     2     2     2    2

    E        C#m7     Amaj9    F#m9
    4        4        4        4

    E        C#m7     Amaj9    F#m9
    4        4        4        4

    E        C#m      F#m7     C    D
    4        4        4        2    2

on YouTube.

Wedding Mixes: Moose

Moose “This River Never Will Run Dry” [marry in the morning mix]

In this mix:

  • More balanced volume across the song (you can hear the intro without having to turn it down several times later). This is a simple volume envelope, so it didn’t squash the dynamics any more that they were already.
  • Shortened outro without the screeching halt at the end. Yes, some will find this blasphemous. Judge away.

Mad Men Theme Chords

I know there’s a full R2J2 song I haven’t heard yet, but since we’re marathoning MM I had to figure out at least this part. With capo on the 4th fret it’s easier to work the melody in.

x-0-2-2-1-1  C#m
x-0-2-2-1-0  (x 2)
x-2-3-2-x-0  D#m7-5
x-2-3-2-3-x  (x 2)
0-x-3-2-3-x  C#m/G#
0-x-2-2-1-x  (x 2)
x-x-1-2-1-x  D#7-9/G
x-x-1-2-0-x  (x 2)
0-x-0-1-1-x  G#7+
0-x-0-1-0-x  (x 2)
x-0-4-2-1-0  C#m6 (C#m the 2nd time)

The final synth harmony is a low C# and slightly flat B with rich harmonics implying a C#7 (major).

Goodbye Trish Keenan

The singer of one of my favorite bands passed away.

It is with great sadness we announce that Trish Keenan from Broadcast passed away at 9am this morning in hospital. She died from complications with pneumonia after battling the illness for two weeks in intensive care.

Our thoughts go out to James, Martin, her friends and her family and we request that the public respect their wishes for privacy at this time.

This is an untimely tragic loss and we will miss Trish dearly – a unique voice, an extraordinary talent and a beautiful human being. Rest in Peace. [Warp records]