Piano!

Dear friends,
You might’ve received a frantic call from Kathleen or me regarding helping us move an incredibly heavy piano that I purchased at Salvation Army. The item has been successfully transplanted to its new home in our office where it will await repair and tuning for decades. What does this mean to you? You can begin answering our calls again.

Sincerely,
Steve & Kathleen

Steve with piano

Hana’s First Show

I posted on Gainesvillebands.com:

This is Hana’s first show and you should be there. They’re writing the most beautiful mellow songs you’ve never heard…songs that you’ll come to treasure and nestle in your mixCDs and playlists around Low and MBV and the Clientele for years to come, but you get to enjoy them NOW out in the loveliest weather Gainesville has seen for months.

I just got back from it and was not disappointed. This was one of my favorite shows of the year. I’d never been to Tim & Terry’s for a show; I didn’t even know they had the back patio area where bands play, so it was a really nice surprise to walk back there and find Hana setting up in the corner. After some PA setup they started and everything sounded pristine and at a perfect volume. Two clean, reverb-drenched guitars and a solid, tasteful rhythm section.

And the songs… Around every corner of a Hana song is something unexpected: Classic pop progressions twisted around; vocal melodies that refreshingly do a little more or less than you’d expect; subtle key changes (the kind the Kinks did so well); arpeggiated guitars that recall the Clientele or a more mellow Pinback; lyrics that sketch the everyday (like having your apartment broken into) and ring with simple truths and quiet realizations. “Tragically, you might be one of the few left out.”

This was the kind of experience—a great band’s first show—that makes me feel guilty for not forcing my friends to attend.

What’s Hot? Pt. I

As Paul might say, “fool, I’ll tell you what’s hot.”

The French Horns live

Last night was our first show with violinist Jesse Long and I proclaim it to be one of our best. He played on five or six songs and added those melodies we missed so much as a trio. Besides that, I think what really made a difference were the couple of practices the days right before the show, the good vocal monitor setup, and a decent pedal setup that gives me a little more control over my guitar sound. The only trouble I had on stage was that, in “Amy L”, my guitar was turned up too high and I was getting tons of guitar feedback to the point of distracting me into forgetting the whole second verse (I was frantically trying to figure out which note was feeding back and how to play the chord in a different shape to leave that note out). Well, to me it was ultra-loud, but apparently the audience didn’t notice much (which is why I think it was coming from the vocal monitor, but whatever.) Anyway, we were pretty well received from the few people there (unexpectedly we were asked to play first so several people who came to see us (from as far as Orlando) missed the set, but it’s not a big deal. The point of the show was kinda to build up our confidence for the Athens popfest show on the 12th. We won’t have Jesse there (which really sucks because he’s apparently “the cute one”) but we’ll get by I guess.

Let’s make this quick

November’s French Horns show was great. December’s was to about five people after sitting through endless amelodic saxophone freakouts. Before they started the guy assured us all that, “we won’t be playing any songs tonight.” I’ll save my rant against free jazz for another time.

I think 2004’s was the first Christmas in while that my whole family was together in a formal way and it was nice. I had more spending money than usual and I let myself get wrapped up in the holiday spirit of financial irresponsibility. It’s nice to be able to give nice gifts, but the money we all spent on, say, random stuff at Target was just too much. I’m going to push for the each-member-gives-to-one-other-member method next year.

Oh yeah, then after spending all that money I bought a Jazzmaster on eBay and a 120W MusicMan (Leo Fender’s self-proclaimed best work) amp on the way home. Budget annihilation complete. The new (well, 70’s) amp made such a difference and the Jazzmaster is so painfully trebley. This is good.

But why have I been out of town so many weekends lately?

(also, this mrclay.org look is just temporary)

Mp3.com is the new All Music Guide

I’ve spent countless hours digging around the All Music Guide for years now, but it was always frustrating to have to jump over to some music store like CDNOW (long gone) or Amazon to listen to clips, if you were lucky. Mp3.com for a long time was a revolutionary way to get your music out to people (and in typical dot-com bubble-bursting fashion they would pay you and send you cheap branded merch like duffle bags for free) and I’m glad to see the new owners (CNET) have done something good with it. Mp3.com is now the cream of the All Music Guide (bios, reviews, cross referencing and genres) with music clips of almost everything. They’ve struck referral deals with the pay-per-download services to get all these clips (30-sec WMA) and they start streaming pretty quickly on DSL.

Tonight I just dug around in their Freakbeat section and came across this gem of maximum R&B: Reflections by Les Fleur de Lys. They even started pulling off pure pop ala Todd Rundgren (listen to “Brick by Brick”).

Update! 7/13 Apparently the All Music Guide is undergoing a redesign and the new design is a disaster in every browser but IE/windows. The old design was ugly, but at least somewhat usable and, with so much great content, the web design community really gave them a free pass, but to build a clunky IE-only, Windows-only site in 2004 is unforgivable. Mp3.com’s UI is so much nicer that I can’t see going back to AMG for much anymore.

Laura and the Buttons

Quite an evening. I arrive at Laura’s “dirty thirty” party at Kim’s house and all our gear is set up in the living room (it looked like rain). There is much shoving of friends in front of kareoke mics. After an hour or so of watching, when the Hollies’ “Busstop” comes on Amy and I are ready and we procede to rock it. The audience recognizes showmanship and bathes us in appreciation. Andrew shows up a little later and we duck out to pick up tickets for the Beat Buttons.

Our friend Mario plays drums and keyboards (yes, simultaneously) for the BB and this is his last show in Gainesville for probably a long time. He and his wife Tricia are moving to Philadephia; more good friends skip town.

We head back to Laura’s party and arrive just in time to see a great show by Laura and a couple friends. Funny songs with local charm and really great three part harmony, quite impressive. When our turn comes, Laura, Hazel and I cram into the “stage” and I grab an amp for seating. We play one of Laura’s new songs and then Jackie takes Hazel’s place bringing in lap steel and everything goes swimmingly for our last three songs. Hazel and Rob McGregor play some great songs and Andrew and I head back to CG.

I’ve seen Alex and Mario play on this stage dozens of times, but this night is something to see. The Beat Buttons play every one of their songs and I’m enjoying the hell out it, fist-pumping, yelling lyrics. Although they never play covers, they end with New Order’s “Age of Consent” and I go home a very happy man.

(I didn’t get this posted until 7/14.)

News on the Low-Power FM Front

According to this AP story, the FCC has released a report (6-page .pdf) to congress stating that low-power FM stations "do not pose a significant risk of causing interference to existing full-service FM stations" and is urging Congress to lift limitations on the number of neighborhood broadcast licenses. Keep an eye out for the fine Future of Music Coalition to say something intelligent about this soon. Continue reading